What are these things and what's
the difference? Do you need all of them to promote your book? Yeah, you
probably do. So what are they?
The logline is also known as the elevator
pitch. It's very short, one sentence if you can manage that. It gives the
briefest of plot summary and entices the listener or reader to want to learn
more. Imagine you're at a conference and an agent, or even a writer or a reader
asks you what your book is about. Here's where you give your logline. It's best
to have it memorized, but no one will laugh if you whip out an index card.
For SMOKE, I'd say it's a
humorous Texas mystery featuring Imogene Duckworthy, an unwed mom living in a
single-wide who longs to be a PI.
This gets in the genre and
sub-genre, location, the main character, and her motivation.
Blurbs are fuzzy, since this word
is used for two different things. One is the cover blurb, written by the author
and is similar to the logline but can be a bit longer. The other meaning is
blurbs written by others that you will proudly display on your cover, signed by
the authors who endorsed your book. The one you write will also be used as your
book description online.
The one I ended up with for SMOKE
is: Imogene Duckworthy, who yearns to be a PI, has landed a job assisting Mike
Mallett in Wymee Falls, Texas. Bringing home a pot-bellied pig as a birthday
gift for her daughter, Nancy Drew Duckworthy, Immy discovers the body of the
owner of Jerry's Jerky hanging in the smokeroom. Now she has her chance to
prove her skills.
This gets into the plot a little,
but doesn't give anything away. It tells the beginning of the action, how the
story starts, and I hope it makes the reader want to know more.
The synopsis, however, is for an
agent or editor and doesn't hold back on the plot. It should tell the whole
plot, but succinctly. For a mystery, the killer is named, plus how the killer
is caught or detected. In a romance, the push pulls are all spelled out, and
how the obstacles to happiness are overcome in the end. For all genres, the
ending is given. The synopsis tells the reader, the person you want to buy or
publish your book, that you can put a plot together. I generally write a
one-page, single-spaced synopsis for query letters. I capitalize each name the
first time it appears and only use a few proper names, no more than five and
usually less. Other characters are designated by roles: the sister, the
landlord, the stage manager, etc.
Self-publishing eliminates the
need for a synopsis for querying, but it can still be a good plotting tool.
Writing out a synopsis can show up your plot holes and shape up your story
line, so I'd recommend writing one, even if you never need to show it to
anyone.
pitching photo: Shairon Martis pitching for the Syracuse Chiefs against the Pawtucket Red Sox, 7 September 2009.
Popping over from Pat's to say Hi! :)
ReplyDeleteI'm getting better at writing those synopses, but having different ones of different lengths drives me batty!
Great post, Kaye! I agree that even a self published author needs to write that one page synopsis. It can be such a helpful tool in making sure you are on track with your story.
ReplyDeleteI've discovered huge plot holes expanding the synopsis to 2 or 3 pages. Makes a great tool, even if I deviate from it as I write.
ReplyDelete