I believe that finding markets for my work is as hard as the actual writing is; maybe harder. I labor for hours or days on a short story and then I have to research the constantly changing markets to determine where it’s going to fit best.
Many authors have turned to podcasting as a market for what they write. To some authors, the term podcast is scary and mysterious. But it doesn’t have to be. Think of podcasting as nothing more than an audio book, because that’s really what it is. It’s a recording of you, or someone else, reading your story and that recording is available from computers over the Internet.
You don’t have to have an iPod to enjoy listening to podcasts. And you don’t need an elaborate recording studio to create a podcast. If you’re reading this article, then chances are you already have much of the equipment you would need to create a podcast already.
But before you go out and start recording your stories and posting them on your website, there are a few things to consider. First, do you want to start your own podcast, or do you want to submit your story to a market that is already in the business of creating podcasts? Either is okay. Authors like Scott Sigler, Mur Lafferty, J.C. Hutchins and many others have decided to create their own individual brands and market their own material. Sometimes their podcasts are standalone short stories or they could be serialized novels. But the key phase is “create their own individual brands.” Are you prepared to do the marketing necessary to drive traffic to your podcasts? If so, great! But it isn’t for the faint of heart.
Other markets like The Dunesteef Audio Fiction Magazine, Pseudopod, and The Drabblecast accept submissions from authors and turn them into podcasts. These markets generally focus on short stories rather than serialized novels.
And there’s one other thing about podcasts – you can add some special effects to make the listening experience even richer and more entertaining. It reminds me of the old-time radio shows that I used to listen to on Sunday nights. I can remember radio episodes of Gunsmoke that were so good I could actually visualize what was happening.
So if you are unfamiliar with podcasts and podcasting, check out some of the links I’ll provide at the end of this article. If you like audio books, I think you’re going to like podcasts. And if you do have an iPod or another type of .mp3 player, you can download the podcasts and take them with you. I like to listen to them on my way to work the way that others listen to audio books on CD.
Stay tuned for additional articles on how to create a podcast.
~Doug McIntire
http://www.dougmcintire.com/
http://dunesteef.com/ - The Dunesteef Audio Fiction Magazine
http://pseudopod.org/ - Pseudopod
http://web.me.com/normsherman/Site/Podcast/Podcast.html - The Drabblecast
http://www.scottsigler.com/ - Scott Sigler’s Podcast
http://murverse.com/ - Mur Lafferty’s Podcast
http://jchutchins.net/ - J.C. Hutchins’ Podcast
Thursday, February 25, 2010
Wednesday, February 24, 2010
It Makes Sense
For the last two months I have been taking an awesome creative writing course through author Jeremy Shipp (he has another one starting--check it out here). During that time he had us do some great exercises and gave us feedback on many aspects of writing. Among the lectures and assignments, he focused on the importance of incorporating the senses into your work.
Just to recap. The five basic senses are:
Jessica Morrell in her book Thanks, But This Isn't For Us, has a great tip for making sure you have incorporated enough sensory detail. She recommends printing off your manuscript, getting at least five different colored highlighters (one for each sense) and highlighting each sensory reference with the appropriate color. You'll be able to easily identify which senses are lacking and where to incorporate them.
It may not seem like much, but since I have been using this method I have been able to create richer more vibrant scenes. It makes SENSE to use all the SENSES (bad pun but I had to!)
Happy Writing!
Just to recap. The five basic senses are:
- Sight
- Sound
- Smell
- Touch
- Taste
Jessica Morrell in her book Thanks, But This Isn't For Us, has a great tip for making sure you have incorporated enough sensory detail. She recommends printing off your manuscript, getting at least five different colored highlighters (one for each sense) and highlighting each sensory reference with the appropriate color. You'll be able to easily identify which senses are lacking and where to incorporate them.
It may not seem like much, but since I have been using this method I have been able to create richer more vibrant scenes. It makes SENSE to use all the SENSES (bad pun but I had to!)
Happy Writing!
Monday, February 22, 2010
What's an Agatha?
It's an award given in the mystery field every year at the Malice Domestic conference in the DC area. This year it's April 30-May 2. And yours truly, Kaye George, is THRILLED to announce that one of my short stories has been nominated!
cloud photo by Axel Rouvin
If you'd like to read my story, here's a link: "Handbaskets, Drawers, and a Killer Cold."
Five short stories are nominated for this award and the winner goes home with a cute little teapot, in keeping with the Malice Domestic theme of cozy mysteries. Liz Zelvin, another of the short story nominees is gathering links to all five nominated stories and, when she gets that done, I'll post its whereabouts here.
Meanwhile, I'll be walking on air!
Kaye George, Agatha nominated author
KayeGeorge.com
cloud photo by Axel Rouvin
Thursday, February 18, 2010
Quid Pro Quid
I am unsure how many authors, new and old, are asked to edit another person's work. These requests may annoy or stress us to the point where we feel like rejecting communication with the person or people asking. For others, the request may flatter, but we reject it anyway because, as is true for many writers, we do not have the time to devote to editing someone else's writing. We are too busy on our own project.
In between starting a new congregation of my faith in my hometown, marriage, diapers, and my own writing endeavors, I took on the challenge of editing a friend's full length novel. He did not ask, I volunteered. During the self-editing of Islands of Loar: Sundered I realized that I did not have a perspective removed enough from the work to do justice to the process.
Those of you who have taken the time to edit another person's work know what happened. On top of helping out a friend in a very meaningful way, I gained the perspective I needed to properly edit my own book. Though the work took a couple of months, I now feel refreshed and ready to delve back into self-editing.
I am not suggesting you take up a full time editing job, though I am considering doing so myself on top of writing. I am suggesting that you do it at least once for someone you can be honest with. That honesty part is important because if you hold back from constructive criticism, you hurt them instead of help.
If you have never done so before, perhaps the next time someone asks for help editing their work you will consider it. It may shift your perspective enough to get over that block or through the morass of your own writing.
In helping others you may just help yourself.
Happy editing!
In between starting a new congregation of my faith in my hometown, marriage, diapers, and my own writing endeavors, I took on the challenge of editing a friend's full length novel. He did not ask, I volunteered. During the self-editing of Islands of Loar: Sundered I realized that I did not have a perspective removed enough from the work to do justice to the process.
Those of you who have taken the time to edit another person's work know what happened. On top of helping out a friend in a very meaningful way, I gained the perspective I needed to properly edit my own book. Though the work took a couple of months, I now feel refreshed and ready to delve back into self-editing.
I am not suggesting you take up a full time editing job, though I am considering doing so myself on top of writing. I am suggesting that you do it at least once for someone you can be honest with. That honesty part is important because if you hold back from constructive criticism, you hurt them instead of help.
If you have never done so before, perhaps the next time someone asks for help editing their work you will consider it. It may shift your perspective enough to get over that block or through the morass of your own writing.
In helping others you may just help yourself.
Happy editing!
Tuesday, February 16, 2010
Micro-Fiction is Real Writing
I’ve always enjoyed writing micro-fiction. First there was flash, stories under 1,000 words. Technically flash isn’t micro-fiction, but it was the gateway fiction that led me to micro. In other words, I tried it and I liked it. Next it was Six Sentences (http://sixsentences.blogspot.com/), stories that were exactly six sentences in length. They helped me to tighten my story arch even further.
After that came drabbles, stories of exactly 100 words. I noticed that many of the stories I was submitting to Six Sentences were right around 100 words, so a little tweaking here and there and presto! I had drabbles.
After drabbles, I discovered 55 words. It was a website based on a contest from the New York Times. That didn’t last long because they stopped taking user submissions, but still, I was able to tighten my stories even further.
Then came Six Word Memoirs (http://www.smithmag.net/sixwords/). I could say whatever I wanted to, as long as it was in exactly six words. There isn’t a submission/rejection process for this one, but they do highlight the best ones on their front page, and they even name a Six Word Memoirist of the Day.
Finally it was tweets, stories that were a mere 140 characters or less that could be posted on Twitter. I submitted several stories before my first tweet was finally accepted by Tweet the Meat (http://twitter.com/tweetthemeat). And this is what leads me to the point of my story.
Upon acceptance, I posted an announcement on my Facebook account, just like I do with all of my writing announcements. One of my friends posted a comment back that said, “That’s a good thing?”
In short, yes, it is. It’s not just a good thing, it’s a great thing! I had probably submitted 30 tweets before that one finally got accepted. But his comment highlighted what many may also be thinking. Well, as a writer, I write. Sometimes they’re tweets, sometimes it’s flash, and sometimes it’s a novel. The point is that I’m writing. And the micro-fiction is helping me tighten my prose. It also makes me submit and yes, get rejected. But that’s all part of the process. And it’s easier to have a tweet rejected because you don’t have the time investment in it that you have in a novel or even a short story.
So don’t let anyone tell you that micro-fiction isn’t real writing. It is. It serves a purpose, both for the author and for the reader. And if you get your micro-fiction accepted and published, it gets your name out there in front of a lot of people. So go on now, write that micro-fiction and be proud doing it!
~Doug McIntire
http://http://www.dougmcintire.com/
After that came drabbles, stories of exactly 100 words. I noticed that many of the stories I was submitting to Six Sentences were right around 100 words, so a little tweaking here and there and presto! I had drabbles.
After drabbles, I discovered 55 words. It was a website based on a contest from the New York Times. That didn’t last long because they stopped taking user submissions, but still, I was able to tighten my stories even further.
Then came Six Word Memoirs (http://www.smithmag.net/sixwords/). I could say whatever I wanted to, as long as it was in exactly six words. There isn’t a submission/rejection process for this one, but they do highlight the best ones on their front page, and they even name a Six Word Memoirist of the Day.
Finally it was tweets, stories that were a mere 140 characters or less that could be posted on Twitter. I submitted several stories before my first tweet was finally accepted by Tweet the Meat (http://twitter.com/tweetthemeat). And this is what leads me to the point of my story.
Upon acceptance, I posted an announcement on my Facebook account, just like I do with all of my writing announcements. One of my friends posted a comment back that said, “That’s a good thing?”
In short, yes, it is. It’s not just a good thing, it’s a great thing! I had probably submitted 30 tweets before that one finally got accepted. But his comment highlighted what many may also be thinking. Well, as a writer, I write. Sometimes they’re tweets, sometimes it’s flash, and sometimes it’s a novel. The point is that I’m writing. And the micro-fiction is helping me tighten my prose. It also makes me submit and yes, get rejected. But that’s all part of the process. And it’s easier to have a tweet rejected because you don’t have the time investment in it that you have in a novel or even a short story.
So don’t let anyone tell you that micro-fiction isn’t real writing. It is. It serves a purpose, both for the author and for the reader. And if you get your micro-fiction accepted and published, it gets your name out there in front of a lot of people. So go on now, write that micro-fiction and be proud doing it!
~Doug McIntire
http://http://www.dougmcintire.com/
Subscribe to:
Posts (Atom)