The
master is gone. I've been thinking about Ray Bradbury all week and I'm sure you
have been too. Is there a writer or a reader anywhere who does not respond to Fahrenheit 451?
In
Bradbury's novel, not only are books burned but newspapers disappear due to
public indifference. People are instead entranced with their "parlor
walls," the flat screen TV's that Bradbury imagined back in 1953 that can
now represent the internet and Wii and all the virtual worlds that have usurped
the role of books. But to me, the "walls" carried me back to the
immigration detention center where I was a volunteer interpreter for people
held for months, even years, awaiting their hearings. Books and magazines were prohibited
while TV sets blared at full volume all day.
And
I thought about a friend who was convicted at age 16 for a stupid youthful
incident in which no human being or any living creature was injured in any way.
After being sentenced 35-years-to-life, he spent a year in solitary, supposedly
for his own protection--and inmates in solitary were not allowed to have books.
A wonderful person on the outside Xeroxed entire novels and put three
double-sided pages in the mail every day, in envelopes thin enough that they
would not be confiscated. Reading novels in 6-page installments was what kept my
friend sane.
I have
other true stories like this and it has always been a struggle to get any of it
into print. (Talk about censorship: the media is barred from California prisons
and detention centers.)
But
Ray Bradbury was able to offer a scathing critique of our society and see it
not only published but a bestseller. David Ulin, Los Angeles Times book critic,
suggested perhaps writing genre fiction--in Bradbury's case, science
fiction--gave an author more freedom.
Yes!
I thought of my late friend, Ted Gottfried (aka Ted Mark), who wrote dirty
books from the Sixties up until around (coincidence?) 1984. Ted believed teenage boys were gonna learn
about sex from porn and he wanted them to learn healthy attitudes, especially
respect for women. In the Man from
O.R.G.Y. series, Steve Victor travels the world solving sexual problems,
always taking the advice of his feminist girlfriend, Stephanie Greenwillow.
Along the way, Ted's books addressed every controversial issue of the day. As
long as there was arousal material on every page, the publisher didn't care if
Ted expressed his opinions.
Ted's
porn career came to an end when smut went visual: dirty movies and then the
internet. As Bradbury understood, you don't have to burn books to make them
disappear. I wish Ted could have still been writing books during the era of
AIDS. He could have saved lives by making safe sex very sexy.
I
think Ted would have enjoyed my new novel, Nobody
Wakes Up Pretty, which Edgar Award winner Domenic Stansberry described as
"A sexy, funny, tender-hearted puzzler about a young woman sifting the
ashes of America's endless class warfare." And I realized my NYC noir--my
genre novel--says more about race and class and says it more overtly than
anything else I've had published.
Is
genre the only way to write uncensored fiction? Maybe it's just that you can't
write a genre novel without telling a good story. And when you tell a good
story you have freedom.
Bio: Diane
Lefer is a playwright, author, and activist. In addition to Nobody Wakes Up Pretty, her recent books
include The Blessing Next to the Wound:
A story of art, activism, and
transformation, co-authored with Colombian exile Hector Aristizábal and
recommended by Amnesty International as a book to read during Banned Books
Week; and the short-story collection, California
Transit, awarded the Mary McCarthy Prize. Her works for the stage have been produced in LA, NYC, Chicago and points
in-between and include Nightwind,
also in collaboration with Aristizábal, which has been performed all over the
US and the world including for human rights organizations in Afghanistan and
Colombia. Diane has
led arts-and-games-based writing workshops to boost literacy skills and promote
social justice in the US and, in Spanish, in South America. Her website is
www.dianelefer.weebly.com
I don't know if genre is the only way to write uncensored fiction, though many of the books that I've read (which people tried to censor or ban) have been part of various genres. Your post makes me think of what my reading (and writing) life would be like if the censors had had their way on censoring or getting rid of every book they didn't like. What would be left to read then?
ReplyDeleteGood point, Neurotic! It would be terrible if the censors had their way.
ReplyDeleteAgreed, Neurotic! We'll fight the censors to the very last page!
ReplyDeleteDiane, I am just in awe of you.
ReplyDeleteAnd I am in awe of Sakina Murdock's novel, Autotherapy, and her magical way with lambs and geese.
DeleteAnd I am in awe of Sakina Murdock's novel, Autotherapy, and her magical way with lambs and geese.
ReplyDelete